Cover reveal!



The Ear Worm Book


Tell me lies, tell me sweet little lies. I think Fleetwood Mac have taken up permanent residence in my brain. Ever since I (finally) came up with the title for the third Gardner book, the song has been ear worming into my head nonstop. Not that it’s a bad thing. Little Lies is a good song. I could’ve named the book The Birdie Song (although that probably would’ve been a very different book) and spent the last six months weeping as I did a little bit of this and a little bit of that. But anyway…

It took forever to think of a title for this book and after I’d spent too many days just staring into space without a thought in my head (or at least a thought relating to titles), I decided I needed inspiration and turned to my record collection. It was remarkable how many song titles seemed to fit the book but nothing seemed to fit perfectly (I do now have a list of possible titles for other books though, which is handy). And then I came across Little Lies. I thought about that and put it aside with all the others, ready to move on. But it’s one of those songs that once you think of it, it won’t go away until you’ve sung the chorus at the very least (or is that just me?). So the song played on my brain radio while I scanned more titles and then as I got to the chorus it hit me. Tell Me Lies. That was the title. What had seemed to be an exercise in procrastination had paid off. (I also seem to have absorbed more Fleetwood Mac vibes – in the fourth Gardner book there’s a character named Rhiannon.)

So now I feel like I’ve cracked it, this title business. There are thousands of song titles just waiting for the right book, and if the title of the song doesn’t work then I’ll dig deeper to the lyrics. It’s amazing. All these titles just waiting for me. All I need to do now is write the books to fit them.

Books Read in December


97. A Moveable Feast – Ernest Hemingway

98. Final Target – Iris Johansen

99. Taunting the Dead – Mel Sherratt

100. Hellbound – David McCaffrey

101. Shallow Waters – Rebecca Bradley

102. Writing Home – Alan Bennett

103. Hunger Makes Me A Modern Girl – Carrie Brownstein


Books Read in October


82. The Bell Jar – Sylvia Plath

83. Travels With Myself and Another – Martha Gellhorn

84. The Life I Left Behind – Colette McBeth

85. The Worlds of Medieval Europe – Clifford R Backman

86. Medieval Civilisation – Kay Slocum

87. Her – Harriet Lane

88. A Cold Day for Murder – Dana Stabenow

89. Snow Blind – Ragnar Jonasson

90. Falling – Emma Kavanagh

Books Read in September


75. A Book For Her – Bridget Christie

76. Hausfrau – Jill Alexander Essbaum

77. The Bang Bang Club – Greg Marinovich and Joao Silva

78. Between Here and the Yellow Sea – Nic Pizzolatto

79. Why Not Me? – Mindy Kaling

80. How to be Danish – Patrick Kingsley

81. The Trip to Echo Spring: On Writers and Drinking – Olivia Laing

What kind of writer are you?


“Are you the kind who gets up and walks around the shop, chatting to people, or are you the kind that just sits there?”

This was the question asked by the manager of the bookshop who’d invited me to do a book signing and I could tell it was less a friendly enquiry and more a test that I knew I was about to fail miserably. I was about to spend the next two hours there, hoping to flog some books, and I knew it was going to be awful. I could feel myself dying inside before I’d even sat down.

Despite being there to promote my second novel, I had little experience of the bookshop signing. I’d done plenty of events in libraries and as part of festivals which involved signing books at the end. But I’d never gone and sat in a shop with the single goal of hoping someone would buy a book and ask me to sign it. And if I’m honest, the idea filled me with dread.

I was plonked right in the doorway where not only was it draughty, it was also intimidating for customers. Not that I think I’m frightening, but experience has shown me, as both a shopper and a spectator of other such events, that the majority of customers when faced with a desperate author will avoid eye contact at all costs and practically faint if you should utter a friendly hello, less they’re contractually obliged to buy a book if they return the greeting.

Yet there I was, in everyone’s way. The placing of my wobbly table and chair meant that wheelchairs and prams were unable to get past and so I had to keep getting up and shifting things about whilst apologising profusely. I did, however, make it up to them by getting the door for them on their way out. Basically, I was an unpaid greeter/doorwoman for the morning.

Anyway, with the pitying smiles from the shop staff and the constant look of disapproval from the manager, the hours passed and even though I sold (and signed) what I thought was a not-too-bad ten copies (to be fair, the majority to people I knew), when it came to getting my coat, the manager collared me again and asked (even though he’d been keeping an eye on me) whether I’d “just sat there or got up and engaged”. I told him the only time I’d moved was to help people with the door and got the kind of look pet owners give to their dogs after they’ve left a little gift on the carpet.

Basically, he was telling me I was doing it wrong. I was getting being a writer wrong. He went on to tell me in reverent tones about another author they’d had in who’d managed to sell lots of copies of her book (a hardback, no less) by being pro-active and following customers around the shop, telling them about her book, and persuading them to buy it.

Now, don’t get me wrong, I’m pretty sure I’m fairly terrible at a lot of this book promotion. But I’m also pretty sure that 99.9% of customers do not want to be chased around a bookshop by a crazed writer until they’re worn down or too scared not to buy the book. If I’d been a customer that day, to be honest I’d stop going to the shop.

But there must be a middle ground, surely.

I often wish I could do this part of the job better and I do try. I said hello to each customer and got a reply from maybe half of the people. But I could tell they weren’t interested. A crime novel, signed or otherwise, was not what they’d gone to the shop for. The people who were interested came over. Some spoke and asked about me or the book, others just read the cover and either bought it or went on their way. I suppose those who are good at this would engage those people, make a connection, and cleverly, subtly, make them realise that they had to buy the book. This is the ideal. These are the writers who are good at this part of the job. Not the far ends of the spectrum – me at one end, Mrs I’ll-Chase-You-Around-The-Shop-Until-You-Buy-The-Book-Or-Else-I’ll-Beat-You-Around-The-Head-With-It. Sometimes I wonder if I’m cut out to be a novelist. It seems these days the writing is incidental, that the selling, the promotion is what counts. And I’m really not a salesperson.

But I am working on it. And I do go out and do events but only when I’m asked, I never do the chasing. Perhaps another thing I need to work on. After all, they say the best way to get over arachnophobia is to hold a spider. Maybe I need to start holding some readers. Metaphorically, of course. Otherwise I’d definitely scare them off.


p.s. Gone is out now in paperback from all good bookshops and if you go and buy it I promise I won’t chase you.